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"Not by might, nor by power, but by My Spirit, saith the Lord of Hosts." ~ Zechariah 4:6

 

Joy DeKok

 

About the Author:
Joy has written and released a novel (Rain Dance) and two children's books (It Is Good and Room For Bandit). Her first book, Under His Wings, What I Learned From God While Watching the Birds (co-authored with Cristine Bolley) was published by Barbour but is now out of print. Joy has also been published in Decision Magazine and Focus on the Family. She enjoys time with God in His Word and creation. Joy has been married to Jon for 30 years. Although childless the couple enjoys time with nieces, nephews, and the children of their friends. Joy is also a retreat speaker and enjoys seeing women's hearts opened by the Word of God. You can get to know more about her at joydekok.com.

 

 

 

 

 

 

 

 

 

 

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Independently Published and Loving It
by Joy E DeKok

 

 

I never intended to be self-published. I knew any form of independent publishing meant taking the harder, less accepted path.

Even after being encouraged via brochures included with personal rejection notes from editors from major publishing houses, I resisted. I filed my manuscripts and dreams away.

Then I read some books by a local author. She encouraged me to look at my publishing possibilities—including print on demand. Her success intrigued me. Reading the pros buoyed my spirits. Studying the cons deflated them.

The manuscript in the drawer bothered me and I considered sending it through the shredder. Maybe then the dream would die a natural (albeit violent) death. My husband asked me to wait and then he too asked me to consider other publishing options.

As I continued to research the industry my excitement grew. When I thought about sending my work out to yet more editors at traditional houses, I felt agitated. The longer I left the manuscript in the drawer, the more unsettled I became.

I prayed. I studied. I prayed. I researched. I prayed, asking God for another way. Then I said yes. Relief and peace flooded my soul. Not yet knowing of my decision, my husband entered my office with a check and asked me to think about some form of independent publishing. I signed on with a press and my career as a writing entrepreneur was launched.

From Both Sides

I've been published both ways. My first book was taken by a traditional house and did well. There were parts of the process I enjoyed and parts that discouraged me. I understood the pros and cons of that side of publishing.

I was about to live them on the other side.

Sadly, there are sides. One side says the other is second rate, unpublished, and vain. The other side says, there is more than one way to publish. One side says anyone on the other side is not a real author and the other side says we're all authors.

Self-published books have a reputation of being second class or less. Much of this is earned. Some of it is not. Most independent authors are aware excellence is vital and many of us hire the same professional editors used by authors published traditionally. I don't want less for my readers. My reputation demands I do the best I can and then do it even better. That standard is the same for all authors.

I am my own publisher. I hire a press and a graphic designer for my covers. I work with my own illustrator for my children's books. If things go wrong, I send the book back for more work (at my cost). I use the same printing company as most traditional houses. I am listed with Ingram and other distributors. You'll find my books listed on the big online stores. Readers don't have any idea (unless I tell them) that my books are not published traditionally. They can't see a difference. Webster defines published: to produce or release for distribution; to print: to issue the work of (an author).

I have readers who not only buy my books but also write to me. I have author signings in bookstores. When asked what I do I usually tell people I'm a writer. However, when others introduce me, they prefer the word author. Webster's defines author this way: one who originates or creates; the writer of a literary work (a book).

Vanity has very little to do with independent publishing. The financial investment to get the book in print, the marketing budget, and the sales strategies are up to me. I study marketing as much as I do the craft of writing. I spend as much time getting the word out as I do putting the words on paper. It's my job. Until readers get a buzz going about my books, it's up to me to get the news out. I have very little time to think about how good it feels to be published. When writing the next book, I'm simultaneously building a marketing plan and implementing the parts I can ahead of time. There's very little room in self-publishing for self-indulgence.

Loving It

I love being independently published. Like my traditionally published comrades, I'm a writing entrepreneur with readers. I'm a professional business woman who is learning ways to sell books without bookstores, manage her writing and financial assets, and living the dream.

This is not the easier path. Not if you want readers and sales. Marketing is harder. Readers are fewer (although if the statistics are right and most ISBNs sell between 2,000 and 5,000 copies I’m in the same range). Bookstores don't want you based on the myth they can't return your books. (Many presses now handle this for authors and many more authors are willing to take returns themselves.) Other writers (published and unpublished) will reject you and your work without a fair reading even though traditionally published books are not without errors and many of them are terribly written. My bookshelves hold excellent books written by authors from both sides. For me, as a reader, it's not about the publisher. It's about the story and the way the author delivers it.

I am part of a growing population of writers and we're a spirited bunch. More and more of us want to be read and realize publishing houses have to watch their bottom lines. We don't mind watching our own. We're determined to have our words on the page as part of a legacy of entertainment, faith, and learning. The cost of independent publishing can be high. The cost of not publishing at all is higher. We're not willing to risk never being read. We're not satisfied with our talents buried in a file cabinet. We understand there is another statistic out there...that most independently published books sell 50 to 100 copies. Our scales say that 50 to 100 beats zero.

We know that in order to overcome the objections of other writers and booksellers we must work harder. We're not willing to settle for less.

Most of us are not proud, arrogant, or vain although we know authors on both sides of the publishing street that are. We're often humbled by reader's letters or driven to our knees when the writing gets tough. We're very much like our traditionally published counterparts. Writing is the labor we love.

We know that there isn't one way to publish...there are many. And we love it.

© 2007 Joy DeKok



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