Yore
Spell-Checker Stinks:
Five Reasons to Proofread Your Manuscript
by Linda M Au
You've written
it. You've rewritten it. You've printed it out and scribbled all
over it. You've got it just where you want it. Now it's time to
send it out to agents and publishers, right?
Not so fast.
Has someone else read over it for mistakes? Someone who knows the
difference between an apostrophe and an appositive?
In my eighteen
years as a proofreader and typesetter, I've corrected every grammatical
mistake and formatting error imaginable—twice. Here are five
reasons you need to master proofreading before sending manuscripts
out into the big wide world. Who knows? If you get good enough at
spotting—and correcting—these common errors, you might
put me out of business.
1. Yore
Spell-Checker Stinks. Your brain plus a good dictionary
is better than software that can't distinguish between "its"
and "it's" or "they're," "there,"
and "their." You should never mindlessly run the spell-checker
and think your work is done. There are several good online dictionaries,
and even an old print dictionary is good enough to check most spelling.
(Not all spelling, though: For example, "anymore" has
gone from two words to one.) Think about definitions and context
when reading. Remember that "it’s" is always a contraction
of "it is," "they’re" is a contraction
of "they are," and "their" is always possessive.
Pick up a grammar textbook at a used bookstore or online. Oddly,
despite an overdependence on the spell-checker, two words I often
see written incorrectly are "misspell" and "grammar."
Even a bad spell-checker would have caught those. Run it once, then
switch on your brain.
2. Verbs
and Punctuation Matter. I'm not your sixth grade grammar
teacher with funny glasses and orthopedic shoes, but I know a thing
or two about what parts of speech go where, and which ones don't
fit even with a shoehorn. A few common grammatical mistakes writers
make are:
- Too
many commas. Separating independent clauses and adjectives
in succession is fine, but don't make the reader pause every four
words, okay?
- Too few
commas. The trend may be toward less punctuation, but it's
still there for a reason. Let commas keep your ideas and word-pictures
clear to your reader.
- Overuse
of the semicolon, especially in fiction or dialogue. People
don't usually speak in lengthy, convoluted sentences (except those
who say "and" a lot). People usually speak in shorter
sentences. Don't be afraid to use a period instead of the more
pretentious semicolon.
- Incorrect
paragraphing in dialogue. As a rule, start a new paragraph
any time dialogue changes to a different person. When putting
a narrative sentence in between two lines of dialogue, be sure
to keep it with the speaker that makes the most sense.
3. Facts
Overrule Instincts. I once proofread a book going to print
in which the copy editor had changed the proper spelling of "Jon
Voight" to the incorrect "Jon Voigt," probably because
the spell-checker thought it was misspelled. Her instincts were
good, but her fact-checking was bad. Writers (and copy editors)
might fail to use tools properly, resulting in sloppy writing. The
Internet is a great tool for fact-checking, but use it as a skeptic.
In this example, don't trust a fan site for good spelling, but do
trust an official actor's site or a professional movie site such
as IMDb.com. Quadruple-check everything. It takes more time, but
it's still faster than the old days of heading off to the library
to do research. And never, ever trust popular user-editable "encyclopedia"
sites. Someone I know once edited an entry in one of these to include
herself in a list of "gangsta rappers" as a joke, and
it stayed that way for weeks before another user changed it.
4. Change
is Inevitable. Fiction writers have a habit of revising
their work ad nauseam; the longer the piece, the more it gets revised.
This is a good thing. Editors like this. But, somewhere along the
way, Inspector Smith gets changed to Inspector Jones, and the writer
forgets to change all instances of the wrong name. This happens
with names, physical characteristics, places, and in some cases,
even the title of the book itself! Keep a good chart of everything
from names to ages, dates, eye color, and any other easily forgotten
information. Go through your manuscript meticulously, using (but
not relying on) a global "find/replace" to change names.
And don't forget to make any changes in the headers or footers.
Also, if you've changed the title since formulating your first query
letter, update the letter as well.
5. Style
Changes. Few writers own the Chicago Manual of
Style, and yet editors expect them to know all the rules.
Even if you're one of the blessed few to possess your own copy,
have you ever tried to find something in it? With the publication
of a new edition of CMOS for the first time in
a decade, the style conventions are subtly shifting, and the publishing
world is scrambling to keep up. A few notable shifts from the 14th
edition of CMOS to the new 15th edition include:
- The serial
comma is out. In a series of items, the rule used to be to
separate the ongoing list with commas throughout. Now, that final
comma is left out, unless taking it out confuses the reader.
- The comma
around an appositive is mostly out. You were taught that
leaving the comma out of "Joe's wife Jane went to the store"
meant Joe had more than one wife. It no longer necessarily implies
that. The default is that your character has only one spouse.
Leave out commas around "Jr." and "Sr." too.
Use commas around appositives only where they make your writing
clearer to your reader.
According to
CMOS, a general rule with punctuation is: Less
is more.
They say you don't get a second chance to make a good first impression,
and nowhere is that truer than in the publishing world. It's getting
tougher to get past the glut of queries and manuscripts cluttering
an agent or editor's desk. Set yourself apart from the rest. Be
the professional you are. Proofread your manuscript, making edits
necessary to ensure it's as close to perfect as possible.
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